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- @
- Hepburn came
- from a wealthy
- New England
- background. Her
- father was a
- surgeon and her
- mother was an
- early campaigner
- for women's
- rights, inspiring a
- spirit of indep-
- endence and
- strength of
- character in her
- daughter that
- was reflected in
- the powerful
- female roles
- she excelled
- in playing
- #
- After her debut
- on Broadway,
- Hollywood
- success followed
- with A Bill of
- Divorcement
- (1932). In 1933
- she played Jo in
- Little Women,
- and garnered her
- first best actress
- Oscar for
- Morning Glory.
- Her own account
- of her start in the
- business shows
- that she was a
- very shrewd
- player even then
- #
- Hepburn's gift for
- comedy emerged
- in films with
- Cary Grant,
- particularly
- Holiday and
- Bringing up
- Baby. During
- rehearsals for
- The Philadelphia
- Story, Grant
- staged a mock
- protest against
- Hepburn's
- trousers by
- wearing a skirt
- #
- Hepburn's
- relationship with
- Spencer Tracy
- was one of the
- great screen
- partnerships,
- starting with
- Woman of the
- Year (1942).
- They were
- partners off
- screen too,
- though they
- never married
- #
- Hepburn has
- always had her
- own idiosyncratic
- style. She liked to
- keep fit, bicycled
- everywhere and,
- off screen,
- insisted on
- wearing trousers
- and flat shoes, in
- stark contrast to
- the glamour
- image of other
- Hollywood
- leading ladies
- #
- Hepburn had made nearly 30 films by 1951 when she starred in John
- Huston's The African Queen with Humphrey Bogart. The role
- earned her a fourth Academy Award nomination for best actress
- #
- The relationship
- between Hepburn
- and Tracy
- endured, and
- Hepburn nursed
- him for the last
- five years before
- he died in 1967.
- They remained
- discreet to the
- end; asked once
- by a reporter if
- she loved Tracy,
- Hepburn replied,
- "Everyone loves
- Mr Tracy."
- @
- Hepburn always
- had unshakeable
- belief in her
- talents and was
- renowned among
- studio bosses for
- her refusal to
- compromise as
- well as her tough
- negotiating
- tactics. Off-
- screen, her dis-
- like of publicity
- meant she rarely
- gave interviews
- #
- In 1980 On Golden Pond won Hepburn another Oscar for Best
- Actress. The film portrayed an elderly couple coming to terms with
- Henry Fonda's imminent death, drawing a poignant parallel with her
- 25-year affair with Spencer Tracy
- #
- The strong female
- characters that
- Hepburn played
- in her films were
- often an extension
- of her own persona.
- She was hailed
- as technically
- perhaps the
- greatest screen
- actress of all,
- but was equally
- important for
- breaking the
- conventional
- Hollywood mould
- for actresses
- @
- The Beatles split
- was blamed by
- many on Yoko
- Ono. John doted
- on her, and Paul
- was deeply
- distrustful of her,
- But the two
- songwriters'
- paths had already
- diverged, and the
- worst that can be
- said of Yoko is
- that she hastened
- the group's
- demise
- #
- The once happy
- and fruitful
- Beatles
- partnership slid
- after the break-
- up into personal
- sniping and legal
- bickering. Lennon
- released a very
- poor song, How
- Do You Sleep,
- which was a
- bitter and vicious
- attack on Paul
- #
- After the Beatles
- fell apart the
- members moved
- on to other
- projects. Lennon
- moved to New
- York, Ringo Starr
- got interested in
- film, Harrison
- made some
- respectable
- albums in Britain
- , and McCartney,
- after a period of
- peace and quiet,
- re-emerged with
- what he called a
- working skiffle
- band - Wings
- #
- John Lennon was
- killed outside his
- home in New
- York. He had
- done little in the
- previous five
- years, but had
- just re-emerged
- with a new
- album. His death
- put paid to the
- perennial
- rumours that the
- Beatles were
- about to get back
- together
- #
- If prophetic
- photographs are
- anything to go by,
- it seems Lennon
- knew he would
- be the first Beatle
- to die. Sales in
- Beatles records
- naturally
- rocketed after his
- death, and with
- his corpus of
- work now
- complete, the
- appraisal of his
- legacy, with the
- Beatles and
- without them,
- could begin
- #
- Paul McCartney's
- solo output has
- remained
- impressive, but
- as with Lennon,
- the quality
- varied. Though
- both men strived
- to create a
- separate musical
- identity for
- themselves after
- the Beatles,
- neither could
- quite ever escape
- the shadow of
- their youthful
- moptopped selves
-